Intermediate Guide

The CAGED System: A Guitar Fretboard Guide

Learn how five familiar chord shapes connect across the entire fretboard, creating a roadmap for chord changes and note navigation.

15 min read
Intermediate Level
CAGED System Cycle

What is the CAGED System?

The CAGED system takes five basic open chord shapes—C, A, G, E, and D—and shows how they connect across the entire fretboard.

The name "CAGED" tells you the order that these shapes appear from left to right on the fretboard (low frets to high frets).

It's important to remember that when you move a CAGED shape up the neck, you're not just shifting your fingers—you're also replacing open strings with fretted notes. For example, when you play an "E shape" barre chord at the first fret, you're recreating the open E major chord one semitone higher, but now every string is fretted. This means you need to be aware of how the chord's structure changes as you move away from open strings.

Each shape in the CAGED system represents a different way to play the same chord. As you move these shapes up the fretboard, they follow a specific order: C shape connects to A shape, A shape connects to G shape, G shape connects to E shape, E shape connects to D shape, and D shape connects back to C shape. This cycle repeats every 12 frets (one octave).

Important Note: The CAGED system is not a substitute for learning note names on the fretboard. However, it can be a useful starting point to understand relationships between chord shapes and help make sense of note positions as you explore the neck.

Interactive Fretboard Diagram

The diagram below shows the possible shapes of an F major chord. Each one resembles a CAGED shape. The first available shape for F major on the fretboard happens to be the E shape. That's why the sequence of shapes is E shape, D shape, C shape... rather than starting from C shape. To play an F major chord, its "C shape" is found further up the fretboard.

F Major CAGED Shapes Across the Fretboard

1
2
3
4
5
6
7
8
9
10
11
12
13
e
F
A
F
F
B
C
F
A
C
G
A
C
C
D
F
A
F
A
C
F
A
E
F
A
C
F
E Shape
D Shape
C Shape
A Shape
G Shape

Click on shape buttons to highlight individual CAGED shapes. All shapes show the same F major chord (F-A-C) in different positions.

Split-color notes are shared between multiple shapes

Practical Example: F Major Using CAGED

Let's use F major to demonstrate how CAGED works, since it avoids confusion with the shape names themselves.

E Shape (1st fret)

C
A
G
E
D

The first available shape is the barre chord across all six strings, referred to as the "E shape." Imagine the open E major chord and move everything up one fret (one semitone). That's F major using the "E shape" - the note F is one semitone higher than E.

Finding the Next Shape

Where is the next shape? Spell out CAGED and note where E appears: C-A-G-E-D. The letter after E is D, so the next shape will be the "D shape."

D Shape (3rd-6th frets)

C
A
G
E
D

This D shape is found between frets 3 and 6. It's not a D chord - it's the open D shape transposed up to F. Since F is 3 semitones (3 frets) higher than D, we move the open D shape up 3 frets.

C Shape (5th-8th frets)

C
A
G
E
D

The CAGED sequence loops (CAGED-CAGED-etc.), so to find the next shape after D shape, we go to the start: C shape. The F major C shape is found between frets 5 and 8. F is 5 semitones (5 frets) higher than C, so we move the open C shape up 5 frets.

A Shape (8th-10th frets)

C
A
G
E
D

Following the sequence, A shape comes after C shape. The F major A shape appears around frets 8-10. F is 8 semitones (8 frets) higher than A, so we transpose the open A shape up 8 frets.

G Shape (10th-13th frets)

C
A
G
E
D

Finally, G shape comes after A shape in the sequence. The F major G shape is found between frets 10-13. F is 10 semitones (10 frets) higher than G, so we move the open G shape up 10 frets.

This completes one full cycle of CAGED for F major, and the pattern repeats at the 12th fret.

Why the CAGED System Works

The CAGED shapes work because they're built from actual note relationships. An "E shape" F major chord plays F, A, and C - the same notes as any F major chord elsewhere on the neck. The shape is simply how these notes naturally fall under your fingers in that position.

Rather than memorizing abstract patterns, focus on learning where notes appear on the fretboard. When you know that F appears on the 1st fret of the low E string, the 8th fret of the A string, and the 6th fret of the B string, the chord shapes become logical consequences of note placement.

Using CAGED to Strengthen Note Knowledge

Here's where CAGED becomes valuable: it helps you see how the same notes connect in different fretboard areas. When you understand that moving from an "E shape" to a "D shape" means you're finding the same chord tones (F, A, C) in a new position, you're reinforcing your knowledge of where those notes live.

Use CAGED references like "E shape barre chord" as convenient shorthand, but always know which actual notes you're playing. This approach builds genuine fretboard knowledge while using the system's organizational benefits.

What About Minor and Other Chord Types?

The beauty of CAGED extends beyond major chords. You can think of minor chords, seventh chords, and other chord types as modifications to the basic CAGED shapes.

Minor Chords

For F minor, the CAGED shapes become: Cm, Am, Gm, Em, Dm. You're using the same fretboard positions, but with the minor versions of each shape. The F minor "E shape" at the 1st fret uses the Em chord shape, the F minor "D shape" uses the Dm chord shape, and so on.

Seventh Chords

For F7 (dominant seventh), you would use: C7, A7, G7, E7, D7 shapes. Each position on the fretboard can accommodate the seventh chord version of that particular CAGED shape.

Extended Chords

This principle extends to other chord types: sus chords, add9 chords, and more complex extensions. The CAGED system provides the framework, and you modify the shapes according to the chord quality you need.

The Balanced Approach

As guitarists, the first chord shapes we learn become deeply ingrained in our muscle memory. The CAGED system provides useful references by building on these familiar patterns. Since you already know how to play C, A, G, E, and D chords in open position, CAGED helps you recognize these same fingering relationships in different areas of the fretboard.

The most effective approach combines note knowledge with pattern recognition. Understanding where notes are located on the fretboard gives you the foundation, while CAGED patterns help you see how those notes connect across different positions. This creates true fretboard fluency rather than pattern dependence.

Think of CAGED as a helpful map that shows you routes between destinations, but make sure you know the actual locations (notes) rather than just following the roads (shapes). This way, you develop both practical navigation skills and genuine musical understanding.

Applications of the CAGED System

1. Moving Chord Shapes Up the Neck

You are playing an A major chord using the "E Shape" barre chord (the one most people learn first). You want to play a higher variation of this chord. You know that the next shape will be a "D shape" and you find that shape by moving up a few frets (playing the highest strings G, B, E). Even if you're unsure exactly how many frets to move, your ear will guide you.

2. Connecting Arpeggios for Improvisation

You are improvising over a B minor chord. You use the "C minor shape" as an arpeggio and connect it with an "A minor shape" arpeggio. Knowing these two shapes are next to each other helps to map out notes you can play. The C minor shape can be found on the 14th fret starting on the A string, and the A minor shape is frets 14 - 16.

3. Shape and Chord Name Alignment

You are playing an A shape A major chord. In this example, the shape and name of the chord are the same, but that is not always true as shown by the other examples above. You want to find where to add a bass note to the chord. You know the shape after A shape is G shape, and you locate the 4th fret of the A string. It gives the chord a richer sound.

Key Takeaways

  • CAGED connects five familiar chord shapes across the entire fretboard
  • Each shape transposes both the fingering pattern and the chord relationship
  • The system works for minor, seventh, and extended chords using modified shapes
  • Use CAGED as a helpful map, not a substitute for knowing where notes are